16-09-2021

Yura Yura Teikoku No Shibire Rar

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Yura Yura Teikoku – 3x3x3 (1998) - 2. Yura Yura Teikoku - No Shibire (2003) - 121. Here you can download yura yura teikoku no shibire shared files: Yura Yura Teikoku No Shibire.zip from mediafire.com 62.68 MB, Yura yura teikoku no shibire zip from mediafire.com (125 MB).

ゆらゆら帝国
『冷たいギフト／貫通』
2 x 3' CD single
(MIDI Inc., 2002)

Sometimes, bargain bin finds can end up costing a butt ton of $$ in the long run. Such is the case with ゆらゆら帝国.

There's a book and music store here that used to be on the outskirts of the Asian area of town. Used CDs from Japan showed up on a regular basis, and I often would take risks on them (and non-Japanese CDs, as well). One such risk was on this CD; I think it was either $4.79 or $5.59. See, the store prices most all of its used CD stock at $7.99 per disc. They use a letter & number system to track how long things have been sitting on the shelf, and prices used to drop in 10% increments the longer things sat (nowadays, the prices lose a dollar at a time).

As it turned out, it was ゆらゆら帝国's second album, and they'd released a buncha stuff since. The album was an interesting mix of garage rock, prog rock, and avant garde-isms like drum patterns pretty much lifted directly from early Captain Beefheart songs. It was really good! My friend Charlie was about to go to Japan for a business trip, so I asked him if he could check for their CDs while he was there. Shortly after he returned, a box appeared on my doorstep jam packed with ゆらゆら帝国 CDs.
O_O

You have requested the file: Name: Yura Yura Teikoku - ゆらゆら帝国のしびれ (No Shibire) (2003).rar. In October of the same year, Mesh-Key Records organized two shows for the band in New York (their first shows ever outside Japan), and was welcomed with rave reviews by the local media. Yura Yura Teikoku - Yura Yura Teikoku No Shibire wav 6 torrent download locations thepiratebay.se Yura Yura Teikoku - Yura Yura Teikoku No Shibire Audio Music 21 hours monova.org Yura Yura Teikoku - Yura Yura Teikoku No Shibire Other. Oct 23, 2017 - Yura Yura Teikoku's first full albums were of prog-ish psychedelic music on their own Jigoku.

I got worried; what if I ended up not liking them? With much trepidation, I opened one and put it in the player. It was great! Whew!! As I listened to the rest, they just got better and better!

Naturally, this put me on a quest to get the rest of their releases. I ended up spending a lot ordering their CDs from various on-line stores in Japan, as no one stocked them in the USA at the time. I'm not going to admit what I paid for it, but I paid probably at least three times as much as the second most expensive CD I've ever bought on a copy of this, their extremely rare first album. Not long after I bought it, ゆらゆら帝国 played their first ever shows outside of Japan. I drove 1,000 miles one way to see them, and it was totally worth it. I stayed with my friend James in Brooklyn for four days and got to see ゆらゆら帝国twice! I also caught excellent shows by Alice Texas and by CocoRosie with Dirty Projectors opening.

Today's song comes from the limited edition single they issued prior to the release of their 2003 concurrently unleashed albums 『ゆらゆら帝国のしびれ』 and 『ゆらゆら帝国のめまい』. The former was their most out-there album yet, while the latter expressed their softer pop side. When I put the latter in the CD player for the first time, I thought it was a mispress and not the right disc, until the voice of leader and guitarist Shintaro Sakamoto appeared and allayed my fears.

『ゆらゆら帝国のしびれ』 featured today's song, but in a rather different arrangement. I had no idea that the single version was different until I decided, a few years later, to go ahead and snag the copy I found on-line of 『冷たいギフト／貫通』. I mean, it was not only a 3' CD (cute city!) but a double one, at that! In a tiny gatefold sleeve, even. It was also released on vinyl as a 10' single, but that's not nearly as adorable.

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Interestingly, the video I later discovered for the song is, in addition to being super cool, the single version, rather than the album one. So, you can watch the video on YouTube, but you can't get the single unless you want to spend a fair chunk of change. Or you could just download today's song. ;-D

Sadly, ゆらゆら帝国 decided to part on friendly terms in 2010, as they felt they had accomplished all they could/wanted to as a band. Former leader Shintaro Sakamoto just released his first solo album, How to Live with a Phantom, in November of last year. I cannot wait to hear it!

Shintaro Sakamoto Tour

Translations:

ゆらゆら帝国 = Yura Yura Teikoku = Swinging Empire
冷たいギフト = Tsumetai Gifuto = Cold Gift
貫通 = Kantsuu = Penetration
ゆらゆら帝国のしびれ = Yura Yura Teikoku no Shibire = Numbness of Yura Yura Teikoku
ゆらゆら帝国のめまい = Yura Yura Teikoku no Memai = Vertigo of Yura Yura Teikoku

Raw electrifyingriffs, intense melodic bass loops, flashy sonic sounds, deep electronic beats andbeguiling pop tunes; the reincarnation of the dying modern youth, an elegy to theboogying guitars of a zombified Sonics,cracked on Suicide and devouring theflesh of Can; this is Yura YuraTeikoku (ゆらゆら帝国)!!

It took 16 yearfor this Tokyo underground three-piece set, formed in 1989, to finally meetsome attention overseas. With the success of their 2005 album Sweet Spot (forMesh-Key records), the band ventured to New York for a few minor concerts provingthe American audience that they could beat the carcass of any dead rock starlegend with their electric riffing strains and psychedelic refrains. Howeverwhat they [the audience] were listening to they had no idea. Sometimes the Japanesegroup seemed to fall into a noise oriented post-rock constant of some sort ofnipponic Sonic Youth. Other times the electronics soared higher reaching the voltaicsound of Stereolab. In further occasions the psychedelism of krautrock filled in; but in all, reminiscences of alater Link Wray and art-punk Television (sometimes even high beats of Led Zeppelin)drew their power in the background.

But on theircreation, Yura Yura Teikoku had a very different composition. Their early stage performances -long hair, no shirt, shaking heads – evoke a nostalgic feelingfor an old 70’s Japanese garage show where Shinki Chen would happily allowhimself to trash some psychedelic melodic lo-fi garage punk-rock [in anotherdimension]. Consisting of three guitars and one drum case, the Japanese bandtranspired hefty vibes of unpretentious garage rock (their more experimentalworks would only come a few years later). Characterized by the heavy plodding drumsof Onsen Shimoda, the dissonant screaming lo-fi voice of guitarist/vocalistShintaro Sakamoto (坂本慎太郎) and biting dancing riffs, the sound that arises is raw andstinging.

With time howeverthe songs would become more poppy and structured (even though the raw roots wouldalways remain in their sound). The last album with Onsen Shimoda, Are you Ra? (1996), already lights the path the band would follow in the futureperiod. However only with the entrance of drummer Ichiro Shibata (柴田一郎) would the group take a more definedroute to their music. In 1997 the band’s arrangement changed to a fixed threeset with Shintaro Sakamoto on vocals and guitar, Chiyo Kamekawa (亀川千代) as bassist and Ichiro Shibata on thedrums. The first albums recorded under this configuration resulted in an epictrilogy for the Midi label (3x3x3, Me noCar, Yura Yura Teikoku III). Here the recordings seem to have found consistencyin jamming psychedelic pop tunes, catchy and danceable sonorous flows; a psychedelic triumph.

Now evolved to apop dream of slack sweaters and tight jeans, the Japanese trio opened the doorsto greater experimental desire. After the groovy Yura Yura Teikoku III, the band released two new albums (Yura Yura Teikoku No Shibire and Yura Yura Treikoku No Memai) in the sameyear. This time the recording counted with the collaboration of other “guest”musicians who joined the sessions to take the trio sound even further; keyboards,organs and beat synthesizers were added to the psychedelic rocking trendmaking it flow on even more progressive sources. The sound is not comparable tothe previous releases as it approaches much more than before the boundaries ofelectronic ambiance. A feature that seems to cling and is taken along intotheir last two albums (Sweet Spot andKudo Deso).

Trying to choosea single album against all others is an aching task. To pick a record fromtheir first heavy rocking years with Onsen Shimoda, from the epic psychedelicgarage pop trilogy, or from the awesome electronic pop “faces” (No Shibire and No Memai), the gritty live performance of Na.Ma.Shi.Bi.Re.Na.Ma.Me.Ma.I, or the last fiery recordings oftheir career would just be the same as choosing a mental state, a mood overother and that's sacrilegious; YYT’s sound behaves like a mutant monster,altering shapes and currents of melodic programs; of acid rushing the bloodtunnels tripping from a soft cradle of Japanese pop to a dancing cube of redneon guitars; a pop-punk garage rockin’ revival (however I will post a nice compilationfrom the years of 1998-2004, so that a taste can be given).

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